Almond Roca
Wednesday, February 10, 2010
Tuesday, January 19, 2010
Still Life Demo
Panetonne e caffè
10" x 8" oil on linen panel
10" x 8" oil on linen panel
These are the steps I took in painting this Italian delicacy called Panettone which is basically a small fruit cake. Enjoy!

Here's the set up. It's just a cardboard box with a small 'window' cut out of the top and the front face removed. This allows for great control over the lighting - especially the shadow shapes which are so important. Thanks to David Tanner for showing me how effective this is.
You can see the shadows are well defined here. Always choose a subject that interests you. I happen to be a fan of Italian fruit cake! The coffee was fresh brewed too! Choose objects which have a good contrast - like the white plates against the black - and the rich cake color against the white of the plate. You might also choose things which have emotional contrast or things which are thematically harmonious - you get the idea.
The drawing. Don't be too hasty here get the drawing right... Try to arrange the shapes on your canvas as interestingly as possible. Composition is so important!

There are so many ways to approach a painting. I chose a method which is popular among plein air painters: Laying in the darkest shadow shapes first.

Another approach is to put down the colors which are easiest to identify. That's what I did here. I purposefully kept the brushstrokes energetic here.

I went back the addressing the shadows here. In this lighting - these shadow areas are the richest in color.

Making progress... I'm starting to evaluate edges - hard vs. soft
Monday, January 04, 2010
Pomegranates
8" x 10" oil on linen panel
Happy New Year everybody! I continue with my series of still lifes. I find that painting these as opposed to plein air landscapes really works with my schedule and family life. I'm able to set up somewhere in the house instead of going off into the garage studio to paint. I'm isolated enough from my family as it is. I usually throw down a piece of black velvet which absorbs much of the light and makes for a nice value contrast.
detail (1)
I even pulled out the quinacridone red for this one. It worked nicely for some of the cooler reds.
8" x 10" oil on linen panelHappy New Year everybody! I continue with my series of still lifes. I find that painting these as opposed to plein air landscapes really works with my schedule and family life. I'm able to set up somewhere in the house instead of going off into the garage studio to paint. I'm isolated enough from my family as it is. I usually throw down a piece of black velvet which absorbs much of the light and makes for a nice value contrast.
detail (1)
I even pulled out the quinacridone red for this one. It worked nicely for some of the cooler reds.Friday, December 18, 2009
Tuesday, December 08, 2009
Wednesday, March 19, 2008
Wednesday, February 20, 2008
Friday, February 01, 2008
Thursday, November 29, 2007
Fechin and Leyendecker sketches...

I had a chance several weeks ago to visit the J.C. Leyendecker exhibit at the Fullerton Museum of Art. I was so impressed. That level of drawing skill is rare! I did a couple of sketches there at the museum. The large sketch is from a Fechin book I have.
Wednesday, November 14, 2007
Wednesday, September 05, 2007
Cambria Coast
I painted this one in the studio. I think this is starting to look more like my oils. I'm trying to treat the gouache paint like oils... picking up piles of paint instead of all washes. The hardest thing to get used to is the values changing as the paint dries.

5" x 7" gouache on paper
Psa 89:9 You rule over the surging sea; when its waves mount up, you still them.
Psa 89:9 You rule over the surging sea; when its waves mount up, you still them.
Wednesday, August 29, 2007
Nathan Fowkes' gouache studies inspired me to give them a try... you can find his blog in my links section - well worth your time I'd say!
Psa 103:15-17 As for man, his days are like grass, he flourishes like a flower of the field; the wind blows over it and it is gone, and its place remembers it no more. But from everlasting to everlasting the Lord's love is with those who fear him, and his righteousness with their children's children..."
Psa 103:15-17 As for man, his days are like grass, he flourishes like a flower of the field; the wind blows over it and it is gone, and its place remembers it no more. But from everlasting to everlasting the Lord's love is with those who fear him, and his righteousness with their children's children..."
Tuesday, August 28, 2007
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